Archive for the ‘History’ category

A Note About Our History

December 2nd, 2023

Darren O’Neill contacted NJCGS recently to share some historical information about the Society that he had discovered. He also suggested that it would be very nice to have a “History of the Society” somewhere on our website. We do, in fact, have some historical coverage of Society history on the website: if you scroll down on the right-hand column on the home page (https://njguitarsociety.org/), you’ll come to a list of archived “Categories,” one of which is “History.” Some posts in other Categories, particularly “Obituaries” may also be of interest from a historical perspective.

At this point the information we have is limited and sketchy, but it might be, as Darren has suggested, developed into something that we could use in more prominent places on the website and elsewhere. If you have any information or documents that would further this objective, please share them with us. We’d love to hear any interesting stories or memories of your experiences with NJCCS that you might have. Our Society has been around for over fifty years, but we’re also interested in hearing from you about more recent times. Yesterday has a way of turning into long ago, given enough time. Below are some of Darren’s comments, images of documents he has found, note from David Starbuck, and some editorial comments:

“I was looking at a website – “Digital Guitar Archive” (digitalguitararchive.com) – when I discovered an announcement by Michael Newman of the second meeting of the Madison Classic Guitar Society.  The announcement was printed in the October 1972 edition of the British journal, “Guitar News.” Attached are images of the cover, table of contents, and the published announcement:

I was surprised to learn that the earliest incarnation of the NJ Guitar Society was known as the Madison Classic Guitar Society.

I’m assuming that the name was given because of the meeting location at Fred Dilzell’s home in Madison. Michael Newman was 15 years old at the time. Also, interesting to see that Carol Hamersma was there: she couldn’t have been more than a teenager, too. Seems like the four performers had at least 30 minutes apiece to present. And some very meaty repertoire for teenagers to perform – wow!

I know that later in the decade (around 1979) the meetings moved to the New Providence area when George Schindler and Connie LeCraw became involved. Both worked for Bell Labs, and they had colleagues who regularly attended. I’m not sure if that’s when the name of the organization changed over to NJ Guitar Society. I became involved starting in 1993 when meetings were hosted at George’s home in New Providence. By the end of the 1990s, we alternated locations between George’s home and Fred’s home in Madison.” Darren O’Neill

I met Connie LeCraw when I was living at the Westfield YMCA in late 1980. I used to practice downstairs in the main lobby late night/early morning so as to not disturb other residents. Connie was trying to get a group of people together as far back as that time. Connie was working at Bell Labs in Murray Hill. He had quite a few accomplishments in his career there and published about a dozen technical papers with the IEEE. I was able to get in touch with him in 1986 when he mentioned they (he and George) were planning meetings at George Schinder’s house in New Providence. The first meeting I attended was early in 1987. Meetings were held there for a number of years until George moved to a senior housing in Berkeley Heights. We had meetings there from around 1993-94 until he moved again after his wife passed away, to the Princeton area. Meetings were held there until Bob Ey took over and had meetings in Hopewell. There were at least two concerts at the Madison Library. I played in one. A recording was made. Maybe someone has a copy. Mine is packed away and may take some time to find it. David Starbuck

Editor’s Note: It always has been my understanding that NJCGS originated with the Bell Labs group, so I reached out to Michael Newman for comment. We hope that Michael will share more of his memories and “ancient records” in future discussions of our history, but he responded that he “did always think of Madison as its own organization.” So the transition may have been more of a merger than a name change. Michael also mentioned a Princeton Guitar Society and a Flemington Guitar Society that were active in the 60’s and ‘70s.

As Darren notes, George Schindler and Fred Dilzell were holding meetings in New Providence and Madison, respectively, in late 1990’s. George extended the Society to the Princeton area when he relocated to Montgomery around 2000, I assume to be closer to his daughter, Heather. Montgomery is centered around Route 206 just north of Princeton. George continued to hold meetings in his apartment on Center Drive, which is a rather unusual location: apparently, most of Center Drive was absorbed by the Montgomery Shopping Center, leaving only a couple of apartment buildings in a short residential section northeast of the shopping center. There’s no other access to the street, so we had to go through the shopping center to get to George’s meetings.

In 2005, George decided that the time had come to pass the torch, so I agreed to host the Princeton area meetings in my home in Hopewell Borough, about seven miles west of Montgomery on Route 518. George continued to play at meetings until 2013. By 2006, David Starbuck was hosting meetings in Warren (Somerset County). Meetings mostly rotated among Madison, Hopewell, and Warren until 2011, when struggles with cancer forced Fred Dilzell to discontinue.


October Events

October 1st, 2023

Zoom meeting, 4:00 p.m. (eastern time) Sunday, October 15

Meetings and Other Events

We had an in-person meeting in Hopewell on September 10, and a Zoom meeting, hosted by Steve Walters, on September 17. At each meeting, only one person signed up to perform, but a half dozen or more showed up to listen and perhaps present an impromptu performance. A good time was had by all.

As we start a new season, NJCGS finds itself adapting to very different conditions than those prevailing before or during the Covid 19 pandemic. We’re still seeing interest in the Society and our meetings but, possibly for a variety of reasons, fewer performers are stepping up to take the stage. Also, we do not currently have the same number of people (such as Fred Dilzell) on whom we counted for many years to regularly open their homes for meetings every two or three months. We sometimes use more public venues, but that can be awkward if we’re short on performers.

We are planning an in-person meeting in Randolph (near Morristown) in November. At this point, we do not have plans for in-person meetings in October or December. That’s not to say that we plan on skipping those months, but only that no one is currently lined up to host. Please let us know if you would be willing to fill the gap for either month. We’re particularly looking for hosts in the northeast parts of the state, somewhere roughly near the eastern end of Interstates 78 or 80, which is most convenient for the greatest concentration of our members. Attendance usually is between six and twelve people, but could be more or (most likely) fewer.

A Survey for Our Society

November 1st, 2018
by Gary Lee

Need for a survey

Who are the people that attend the New Jersey Classical Guitar Society and other similar societies in New Jersey? What do they value and do they participate in the larger classical guitar community? In September 2018, I conducted a survey on behalf of the New Jersey Classical Guitar Society to better understand why people attend our meetings and whether they attend events offered by larger societies and concert presenters in New York City and Philadelphia. Having this information will make it possible to serve our members better.

Background on guitar societies in New Jersey

Although the New Jersey Classical Guitar (NJCGS) has been existence for 30 years, New Jersey has never had a classical guitar society that actively presents concerts, festivals or educational programs. Instead, “societies”—more accurately described as players circles held in private homes or churches—have formed from time to time. Some of their participants attend concerts and activities presented in nearby New York and Philadelphia by organizations such as the New York City Classical Guitar Society, the Philadelphia Classical Guitar Society, the 92nd St. Y, and the New York Guitar Seminar at Mannes. In the early- to mid-2010’s, New Jersey and the Westchester, NY area had four active classical guitar societies: the NJCGS, the Classical Guitar Society of Warren County (CGSWC), the Maplewood Classical Guitar Society, and the Westchester Classical Guitar Society. Common to all these groups is/was the absence of incorporation, dues, operating budgets, officers or concerts. Today, only the NJCGS and CGSWC are active.

The survey

An anonymous survey was sent through the mailing lists of the four societies listed above. Combined, the number of unique email addresses was approximately 200. 37 individuals provided responses, of which perhaps 25 participated in at least one of the societies. Obviously, there are many people who asked to be on the distribution lists, but were never were able, or intended, to participate.

The questions and complete results are here: https://docs.google.com/forms/d/1kJjTJFZ-9uxofOE6EV9K4IEK9nGoYbm6GdWBdEgkLvE/edit#responses

What the survey revealed

Demographics. Two-thirds or more of the respondents are 60 years or older amateur players that have at least 15 years of experience playing classical guitar. Another third are professional teachers/performers who have attended music school. Anecdotally, professionals are rare at meetings, so presumably many are interested in being on the mailing list, but do not participate.

The majority of respondents (58%) live in Northern New Jersey and a smaller amount (14%) in the Princeton area. 25% presumably live outside of New Jersey/New York City/Philadelphia region, so unfortunately, they skew some of the results.

Attendance. 75% attended at least one meeting of the NJCGS or CGSWC within the last 2 years. While half of the respondents still attend meetings, those who stopped cite lack of time and distance to meetings.

What’s important to members?  Of highest importance is performing for and listening to others. Somewhat important is socializing.

What activities should be added?  61% said they would like the opportunity to play in an ensemble, followed by 45% who would like the opportunity to perform in a more formal setting such as a concert. 29% said they are happy how it is.

Concert and festival attendance in the region.  Only half of the respondents attended at least 1 concert in the last 2 years produced by one of the major concert presenters in the region. ¼ to ½ (but more likely ¼) attended at least 1 festival in the last 5 years.

Attendance at NYC or PHL Classical Guitar Society meetings.  Only 24% of respondents attended at least one meeting of the New York City or Philadelphia Classical Guitar Societies within the last 2 years.

Take home messages

Societies like the NJCGS and CGSWC provide a much-needed opportunity for amateur enthusiasts to perform for others in a welcoming, low-stakes environment. Members socialize, learn and connect with others who share a similar interest. Attendance by some members is inconsistent due to lack of time or stage of life; many come and go. In contrast, there are others who form a core who attend on a consistent basis.

One type of activity that the NJCGS should consider fostering is ensemble playing among its members. This could happen by encouraging the formation of duos or small ensembles outside of meetings, or through the formal distribution of parts to willing players. Both could culminate in performances at meetings.

New Jersey is somewhat unique in that its guitar lovers must go out of state to hear world-class players in concert. Fortunately for many in the northeast and Princeton areas (where the majority of members live), some of the top venues in NYC and Philadelphia are within 60-90 minutes. Despite this proximity and the fact that two-thirds of respondents said that they are willing to drive at least 60 minutes to attend a guitar-related event, it is somewhat surprising that more do not take part. These findings suggest that wanting to play should not be equated with wanting to hear concerts. In this sense, informal societies fulfill a unique role that larger, formal societies cannot.

Memories of April 7, 2002 Concert in Princeton

March 28th, 2018

George Schindler arranged this concert at the Unitarian University of Princeton. We had a previous concert on March 26, 1995 at the Madison Public Library. Shown here are: Chantal ?; George Schindler; Ming Chao; Roberta Wallace; Fred Dilzell; and Darren O’Neill.

Letter from Tom Silver

March 19th, 2018
Hi Guys,
 
This may come as a shocker but I’m suspending all of my guitar activities, probably for at least the next several years.  No more recordings or gigs during that time, and in fact, probably little or no practice.  All of my life I’ve only been able to focus on one big thing (to me) at a time, whether it was business, finance, or music.  Never been able to compartmentalize.  The reality is that after retiring 12 years ago and doing almost nothing but guitar all day every day for the last 10 years, I’m burned out.  Daily practice became something I wasn’t looking forward to anymore, but more of a chore. That’s not good, so I need to give it a rest.
 
But the coup de grace is a new focus – Japan and Japanese woodblock prints.  Starting last winter I became interested in these subjects and basically turned my website over to them in terms of everything new I wrote for the site on “Tom’s Take”.  After my articles amounted to 10 – 12,000 words I kind of decided to develop them into a full-fledged book, with illustrations from my own print collection.  Whether this ever goes to completion I don’t know, but I’m acting on that assumption.  Talk is cheap before the hard work begins!
 
What’s so great about this is that I come to the subject at ground zero – before this year I knew almost nothing about Japan or their prints.  So it’s the steepest possible learning curve, but endless material to work with. Japan is a fascinating culture going back thousands of years, but my focus will start 400 years ago, which happens to be an important dividing line in Japanese history.  I’m completely into it on a daily basis, so there’s no room for another obsession.  There’s a ton of reading to be done but I’m doing it slowly and building my knowledge base from the ground up.

I wish you all the best, and will stay in touch.  Hope you will do the same and keep me on your mailing lists.

 

Tom

February Meeting

January 22nd, 2018

Turnout was relatively small, but we found much to discuss.

We talked about the history of our Society, going back to when a group of guitarists working for Bell Laboratories got together to play. Around 1979, Connie LeCraw opened the group to the general public, holding meetings in his home in Westfield. George Schindler then carried the torch for about 20 years, hosting meetings in New Providence and Montgomery. We would like to compile some history of our Society, so we would love to hear from you if you can share any memories or stories.

It’s been a while, but George Schindler and others used to organize member concerts. We wondered if anyone might want to take that on again. The Hopewell Borough railroad station was suggested as a feasible venue, although a location further north might have advantages.

Gary Lee will represent the New Jersey Classical Guitar Society at the Guitar Society Summit (a conference of guitar societies and guitar presenting organizations) in Baltimore in September. Let us know if you have any questions or input.

The next meeting will be on March 18 in Hopewell Borough. It might be a good opportunity to hear some Irish music. The April meeting will be in Wayne on April 15.

These pieces were played:

David Starbuck

  • Romance — Yuki Kuramoto
  • Levantina No. 5 — Oscar Espla
  • Levantina No. 2 — “”

Gary Lee

  • Prelude No. 4 — Francisco Tarrega
  • Etude No. 6 — “”
  • Etude sobre un Scherzo de Tomas Damas — “”
  • Opus 6, No. 4 — Fernando Sor
  • Etude No. 8 in G — Giulio Regondi

Jeff Griesemer

  • Vincent — Don McClean, arr., John Knowles (In Memory of George Schindler, who was fond of playing it)
  • Because —  Dave Clark Five, arr. Jeff Griesemer
  • Slieve Russel/Port Sgian — Trad., arr. Jeff Griesemer

Robert Ey

  • The Round Battle Galliard — John Dowland
  • Mrs Winter’s Jump — “”
  • Scarborough Fair— Trad., arr. Debbie Cracknell/Paul Simon